Happy birthday Buddy Guy!

Buddy "Motherfucker" Guy was born on this day in 1936 in Louisiana. He's known as one of the wildest performers of the blues and he's playing the blues since early 50s. Today he's one of the most important guitarists in the world.

Buddy's albums to get: Damn Right, I've Got the Blues and his recent Skin Deep. Happy birthday to the king of modern day Chicago blues!

Various memories

Sometimes there are songs so bound to places, times or people it hurts me not to think about the past. My iTunes just shuffled me a tune from 1976's the Grateful Dead tour called "Cassidy". Only four minutes of great, folk-influenced rock and roll, and a wonderful riff and refrain. I used to listen to this song a couple of months ago waiting for my girlfriend before school, I always took the earplugs out, chatted with her as we made our way to the bus, and the song was, very silently, playing in the background. That was cool ;-) Contrasting with the lyrics, this used to be my true happiness.

She once said she had hated "my music" but loved the way I had loved it (so many mixed tenses in one sentence I had to screw something up, rrright). And almost every time she was at my place I played her Mingus' "Better Git It In Your Soul" and after a thousand tries she said, "hey, I've heard it somewhere before!" during the piano part. Priceless ;^)

New releases: Muddy Waters, James Cotton, Ronnie Wood

About.com Blues Blog announced new Muddy Waters reissues from the BGO Records specializing in blues, folk and jazz CDs. There's nothing on the label's official page, but the thing seems interesting. One of the disks is a compilation They Call Me Muddy Waters, which would be great if not for the fact that it contains material from early 50s to late 60s. There are many better releases! But the second one looks damn better: it's Live at Mr. Kelly's from 1971. Awesome band (Cotton, Perkins...) and awesome setlist: there are even covers of Jimmy Reed ("You Don't Have to Go") and John Lee Hooker ("Boom Boom").

Another good news: mentioned previously James Cotton, a brilliant harp player, is releasing a new album on Alligator Records. More here. Get ready ;)

I'm also waiting for anothet Ronnie Wood's solo release. Rumours state it's gonna happen this year, probably in September. The album called More Good News was recorded a long time ago...

Sexy girls making good music

Well, there've been a couple of them. I have no idea if there's anything better than a sexy chick singing the blues. ;) Grace Slick from the Jefferson Airplane has always been a favorite of mine.



Now Debbie Harry. She was even better ;) Ex-Playmate and the lead singer and songwriter for Blondie. Just hearing her sing "Rip Her to Shreds" gives me chills ;)




And erm... last but not least. Not too well known Ellen Foley - I love her cover of the Stones' "Stupid Girl" (Mick Ronson on guitar!). Hot, gorgeous and scary. ;)

Muddy Waters - Screamin' and Cryin'

This album by Muddy is very close to my heart. It was recorded in my hometown, 16 years before I was born and 16 years after the famous Newport performance that marked his prime days. Waters was 61 at that time and well after his best years, but what does it matter? The recording is in very fine quality, the band is tight (my favorite, Pinetop Perkins, is on piano) and I'm sure all of the fans gathered at the Warsaw Jazz Jamboree '76 festival were amazed such a legend invaded Poland.


Everything starts kinda shaky but by the time the band gets into 3rd song ("Corrina, Corrina" sung by a duet Muddy-Pinetop) it's obvious I'm in for a treat! The legend is literally screamin' and cryin', but he's also a charismatic bandleader. He leaves the stage for a couple of songs to let his band show off ("Floyd's Guitar Blues" is remarkable - "hey, I know this riff!"), but then suddenly Muddy's back, never tired of singing his biggest hits: "Got My Mojo Workin'" and "Hoochie Coochie Man".

Highlights of the lenghty show include "After Hours" - several years later Pinetop Perkins recorded a solo album containing this song with the same title - and closing tracks (of 16 all - were they encores?), standard "Goin' Down Slow" and "What's the Matter With the Mill" also known as "Can't Get No Grindin'" straight from the 30s.

It's better than his previous work from the 70s and way more natural than all of the work he did after this while pairing with Johnny Winter. It's the last time we can hear Muddy howl "Howlin' Wolf" (by the way, the real Wolf died that year) or "Blow Wind Blow". Apart from a surprisingly great 1974's Unk In Funk, for me this is the most important of Muddy's outings from the 70s.